壹美美術(shù)館新展“未來形態(tài)：陶瓷在科技緯度下的藝術(shù)重構(gòu)展”將于2025年6月8日正式開展，開幕式擇期舉辦。本次展覽將以當(dāng)代視角深度探討陶瓷藝術(shù)的未來可能性，通過“科技融合”“形態(tài)創(chuàng)新”“可持續(xù)發(fā)展”三個(gè)維度，展現(xiàn)傳統(tǒng)工藝在當(dāng)代的形態(tài)與價(jià)值延展。沿循這三個(gè)維度，觀眾將重新探索藝術(shù)創(chuàng)作、文化載體及技術(shù)發(fā)展之間的關(guān)系，體驗(yàn)和發(fā)現(xiàn)科技動(dòng)能賦予陶瓷藝術(shù)的嶄新時(shí)代內(nèi)涵。

作為北京文化藝術(shù)基金2024年度項(xiàng)目，本次展覽由清華大學(xué)美術(shù)學(xué)院領(lǐng)銜主辦，北京實(shí)創(chuàng)科技園開發(fā)建設(shè)股份有限公司、壹美美術(shù)館、清華大學(xué)美術(shù)學(xué)院陶瓷藝術(shù)設(shè)計(jì)系共同承辦，泉州棲醍藝術(shù)有限公司、北京清尚創(chuàng)意投資發(fā)展有限公司協(xié)辦。展覽由清華大學(xué)美術(shù)學(xué)院教授白明擔(dān)任策展人，同時(shí)邀請(qǐng)清華大學(xué)人文講席教授杭間擔(dān)任學(xué)術(shù)主持。

本次展覽的展期為6月8日至7月13日，將在壹美美術(shù)館一樓和二樓呈現(xiàn)158位中外藝術(shù)家的147件作品。這些作品不僅展現(xiàn)陶瓷藝術(shù)在數(shù)字時(shí)代經(jīng)歷的前所未有的變革與新生，也同樣彰顯著陶瓷藝術(shù)家們?cè)谶^去未來之間尋找合力方向的努力。所有作品都旨在回答一個(gè)問題——

陶瓷的未來會(huì)是什么樣子？

壹美美術(shù)館即將推開連接過去與未來的大門，邀請(qǐng)觀眾見證傳統(tǒng)技藝在時(shí)代浪潮中的蛻變，感受陶瓷的生生不息，思考藝術(shù)創(chuàng)作如何承古開今，指向一個(gè)更具創(chuàng)造力與可持續(xù)性的未來。

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前 言

白 明

以“未來形態(tài)”命名這個(gè)涉及科技與材料話題的陶藝展覽，只是希望用一個(gè)特殊角度，來探討一種未知的、由藝術(shù)家創(chuàng)造出來的、地球上原本不存在的、與人們期待的不確定性表達(dá)相關(guān)聯(lián)的形態(tài)，所有的這些形態(tài)并不是單一的都指向“科技”，而是有關(guān)于藝術(shù)家內(nèi)心的愛、經(jīng)驗(yàn)、技術(shù)、期許、歡樂、痛苦、困惑、茫然、順應(yīng)與對(duì)抗、熟悉與陌生以及對(duì)工藝與燒成的復(fù)雜關(guān)系所做的符合他們心中想象的藝術(shù)的樣子。

展覽由三部分組成：在“科技與陶瓷藝術(shù)的融合”空間里，3D打印、數(shù)字建模與影像藝術(shù)和虛擬技術(shù)等在陶瓷藝術(shù)上的應(yīng)用，打破了傳統(tǒng)手作工藝的邊界，許多年輕的藝術(shù)家借助它實(shí)現(xiàn)了獲得新知的快樂，更實(shí)現(xiàn)了陶藝制作過程與想象力的“自由”；“形態(tài)的創(chuàng)新與重構(gòu)”部分，則展現(xiàn)今天的藝術(shù)家在陶瓷形態(tài)的研究與創(chuàng)造上所取得的讓人驚異的成果，藝術(shù)家將當(dāng)代藝術(shù)理念融入泥火元素的追問之中，將過去與未來、藝術(shù)與科學(xué)之大命題轉(zhuǎn)化為意象、抽象與表現(xiàn)，個(gè)體感知與表達(dá)成為材料解放與形式解放的核心途徑，揭示出一種符合泥與火與人的情感相關(guān)的獨(dú)特的生命途徑；在“可持續(xù)發(fā)展的藝術(shù)實(shí)踐”部分，則呈現(xiàn)環(huán)保材料與現(xiàn)成陶瓷材料在陶藝創(chuàng)作中的借用與轉(zhuǎn)化，探討從創(chuàng)作、使用到回收和再利用的過程，更是從這些過程中生發(fā)出新的藝術(shù)感知與表達(dá)方式，將陶瓷藝術(shù)既定的工藝與人文流程分解重組，拓展了人與物與時(shí)代話題的陶藝表達(dá)方式。

我們將百余件與展覽主題相關(guān)的陶藝作品置于中關(guān)村這樣一個(gè)以科技創(chuàng)新為核心優(yōu)勢的重要美術(shù)空間，使其與時(shí)間與地域與獨(dú)特的觀展路徑共同成為一件大作品被觀眾看到，這種獨(dú)特的“在地性”也成為展覽的重要組成部分。

陶藝是一項(xiàng)能讓人生出謙卑之心的藝術(shù)行為，陶藝人在塑造陶藝的同時(shí)也深深地被陶藝所塑造。當(dāng)我們從璀璨的“中國CHINA”陶瓷歷史中回溯，所有作品與器物不僅連接過去也連接著未來。以陶瓷藝術(shù)的方式向未來致敬，是陶藝人最天然最樸素的情感。瞬間與永恒，脆弱與堅(jiān)硬，物質(zhì)與精神，通過他們的作品在這個(gè)特殊主題下的展示，證明我們一直是生活在與時(shí)代與科技與過去與未來產(chǎn)生互聯(lián)的世界。

2025年6月4日

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Preface

Bai Ming

Titled Ceramic Future, this ceramic art exhibition centered on technology and material seeks to explore, from a distinct perspective, previously unknown forms conceived by artists, absent from Earth’s primordial state yet intrinsically linked to humanity’s anticipated expressions of uncertainty. It must be clarified that these manifestations do not singularly signify "technology". Rather, they emerge from a complex interplay of the artist’s inner world: love, experience, craftsmanship, aspiration, joy, anguish, perplexity, ambivalence, adaptation and resistance, familiarity and estrangement, as well as their intricate relationship with ceramic techniques and firing processes. Together, these elements form the artistic expressions that materialize their envisioned aesthetics.

Thisexhibition is structured in three sections:“Fusion of Technology and Ceramic Art”, within this space, applications such as 3D printing, digital modeling, video art, and virtual technologies in ceramic creation dismantle the boundaries of traditional handcrafting. Many young artists apply these tools to experience the joy of newfound knowledge, achieving unprecedented "freedom" in both the ceramic-making process and the realm of imagination. “Innovation and Reconstruction of Form", this section showcases the astonishing achievements of contemporary artists in the research and creation of ceramic morphology. Integrating contemporary artistic concepts into their interrogation of clay and fire, artists transform grand themes, past and future, art and scienceinto imagery, abstraction, and expression. Individual perception and articulation become the core pathways to liberating materials and forms, revealing a unique and vital approachintrinsically tied to the emotional resonance between clay, fire, and humanity. In “Sustainable Artistic Practice” section, the borrowing and transformation of eco-friendly materials and ready-made ceramic elements in artistic creation are presented. It examines processesfrom creation and use to recycling and reusing, while also highlighting how these processes engender novel artistic perceptions and expressions. By deconstructing and reassembling established ceramic techniques and cultural workflows, this section expands ceramic art’s capacity to articulate dialogues between people, objects, and contemporary issues.

Over one hundred ceramic works aligned with the exhibition’s theme are situated within Zhongguancun, a pivotal artistic hub renowned for its technological innovation. This intentional placement transforms the exhibition, alongside its temporal context, geographical specificity, and unique spatial trajectory, into a cohesive macro-artwork for public engagement. This deliberate “site-specificity” thus constitutes an integral dimension of the curatorial framework.

Ceramic art is a practice that cultivates humility; as ceramists shape clay, they are profoundly shaped by it in return. Reflecting upon the luminous legacy of "CHINA", a term synonymous with porcelainwhich we recognize that all ceramic artifacts connect the past and the future. To pay a tribute to the future through the language of ceramic art embodies the most natural and fundamental sentiment of the ceramist. Through the display of their works under this thematic lens, which exploringthe moment and the eternity, fragility and resilience, materiality and spirituality, thisexhibition affirms our existence within an interconnected worldinterwoven with time, technology, history, and the yet-unwritten future.

June 4, 2025

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北京文化藝術(shù)基金2024年度資助項(xiàng)目

總策劃：覃川丨馬賽

Chief Curator: Qin Chuan丨Ma Sai

學(xué)術(shù)主持：杭間

Academic Chair: Hang Jian

策展人：白明

Curator: Bai Ming

執(zhí)行策展人：楊帆丨吳昊宇

Associate Curator: Yang Fan丨Wu Haoyu

展覽總監(jiān)：路貝

Exhibition Coordination: Lu Bei

藝術(shù)總監(jiān) ：程辰

Artistic Director：Cheng Chen

展覽組織：左正堯丨遠(yuǎn)宏丨尹航丨郅敏丨戴雨享丨余劍峰丨孟福偉丨劉謙丨趙蘭濤丨鄭祎丨孫月丨楊茹

Exhibition Coordination Team: Zuo Zhengyao丨Yuan Hong丨Yin Hang丨Zhi Min丨Dai Yuxiang丨Yu Jianfeng丨Meng Fuwei丨Liu Qian丨Zhao Lantao丨Caroline Zheng丨Sun Yue丨Yang Ru

藝術(shù)家名單丨ARTISTS

科技與陶瓷藝術(shù)的融合

Fusion of Technology and Ceramic Art

陳卓｜陳嘉樂｜陳棵｜陳僑慧｜陳煒博｜陳子穎｜崔維珊｜甘浩宇｜耿雪｜桂明｜桂睿｜郭家啟｜郝建英｜何一波｜黃煥義｜黃瀾越｜姜少清｜蔣汐｜康富杰｜李立宏｜李楠｜林村｜林琦菁｜林天宇｜劉謙｜劉紹翔｜孟福偉｜馬特·沃特森 Matt Watterson｜邁克爾·安迪·梅 Michael Andy May｜潘悅｜潘子淳｜齊依凡｜祁吉｜邵長宗｜田梓成｜王?。蹩∵h(yuǎn)｜王馨怡｜王卓｜吳鶴軒｜余劍峰｜余曜翀｜楊亙｜楊帥恒｜楊文群｜姚瀾寧｜伊洛娜·羅穆萊 Ilona Romule｜張林杰｜張三聰｜張一楊｜張雨航｜趙雅婷｜曾風(fēng)林

形態(tài)的創(chuàng)新與重構(gòu)

Innovation and Reconstruction of Form

安娜·霍爾康比 Anna Calluori Holcombe｜安然｜白明｜包偉｜卞曉東｜陳君｜程粵｜崔明｜戴雨享｜丹妮拉·施拉根豪 Daniela Schlagenhau｜丁傳國｜杜沁芬｜范安琪｜方力鈞｜裵世真 Bae Sejin｜馮家寶｜付彬捷｜光麗強(qiáng)｜韓祥翠｜韓澤超｜郝建英｜黑川徹 Kurokawa Toru｜洪美連｜胡智康｜黃勝｜黃穗卿｜黃永星｜姬凡｜吉米·理查德·克拉克 Jame Richard Clark｜蔣顯茜｜金貞華｜康潔｜亢云姝｜拉萊·蒂爾巴斯 Lale Dilbas｜賴珍｜李洪杰｜李婳｜李清｜李慶利｜李瑞生｜李潤伊｜李田瑜｜李蕓｜林棟｜林鈺｜劉師成｜劉穎睿｜劉玉城｜劉志軍｜陸斌｜麻匯源｜馬克·路弗德 Marc Leuthold｜馬明元｜梅琳玉｜歐陽城｜潘璐｜潘曉慧｜彭贊賓｜瞿佳寧｜任潔｜沈厲｜宋丹楊｜宋景徽｜蘇獻(xiàn)忠｜孫月｜湯黎宇｜王登｜王國棟｜王輝｜王軍｜王樂耕｜王永亮｜魏韞濃｜吳承澈 OH SEUNGCHEOL｜吳昊宇｜吳極｜吳詠梅｜西姆哈·埃文·陳 Simcha Even Chen｜熊開波｜徐萊｜徐青｜徐雯婷｜遠(yuǎn)宏｜楊帆｜楊英蓮｜尹玻蘭 YOON YOORAN｜尹航｜左正堯｜趙蘭濤｜趙斌｜趙軍｜趙淋｜張娜｜張寧寧｜張倬境｜郅敏｜朱迪特·瓦爾加 Judit Varga｜朱希睿｜朱彥竹｜莊春青

可持續(xù)發(fā)展的藝術(shù)實(shí)踐

Sustainable Artistic Practice

鄭祎 Caroline Cheng｜蔣顏澤｜林朗明｜劉琰｜余忝忝｜張威

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主辦單位

清華大學(xué)美術(shù)學(xué)院

承辦單位

北京實(shí)創(chuàng)科技園開發(fā)建設(shè)股份有限公司

北京市海淀區(qū)壹美美術(shù)館

清華大學(xué)美術(shù)學(xué)院陶瓷藝術(shù)設(shè)計(jì)系

支持單位

中共北京市海淀區(qū)委宣傳部

北京市海淀區(qū)文化和旅游局

北京市海淀區(qū)民政局

北京中關(guān)村永豐產(chǎn)業(yè)基地發(fā)展股份有限公司

北京實(shí)創(chuàng)億達(dá)科技服務(wù)有限公司

北京仲量聯(lián)行物業(yè)管理服務(wù)有限公司

協(xié)辦單位

泉州棲醍藝術(shù)有限公司

北京清尚創(chuàng)意投資發(fā)展有限公司

執(zhí)行團(tuán)隊(duì)

展覽執(zhí)行：張翰濤

展覽設(shè)計(jì)：林佳璇

活動(dòng)策劃：胡彤彤

展覽宣傳：林妍

展覽執(zhí)行助理：趙雅婷、蔣顯茜、王軍、劉達(dá)、白鈺麗

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免費(fèi)觀展

開館時(shí)間：10:00 - 17:00（每周一閉館）

END

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壹美美術(shù)館官方微信出品

編輯：林妍

海報(bào)：林佳璇

審核：楊茹